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First
of all, the word "zawa" is reputed to be the sound
that the silkworms make when munching on mulberry leaves for sustenance:
zawa zawa zawa zawa zawa zawa zawa zawa zawa zawa zawa zawa
zawa zawa zawa, according to our partner
in crime, Takako Ueki. So, it seemed a name to appropriate for
our new collection.
Second, we've been working for nearly 5 years with our good friend
and amazing garment maker, Gwen Spencer of Oregon. Gwen has been
helping us create our Galleryline of separates from commercial
silks, linens, and wools since Winter of 2000. Just when you think
that you might get bored producing the same things, week after
week, Jill and Barbara go to Japan on a client and resourcing trip,
and bring back boatloads of contemporary silks and wools. We brought
Gwen to Santa Fe to work out shapes and details, spent this past
summer (2004) incubating and sampling the collection, and voila...
Zawa Collection is launched.
Gwen has a traveler's spirit in her blood, so her fascination and
appreciation of textiles from around the world is well-grounded. |
She
was raised in Sierra Leone, Africa, spent 3 years in the Peace
Corps in Guatemala, and lived subsequently for 3 years in Nepal,
before settling back down in Corvallis. Through a coincidence,
or a match meant to be, we discovered each other through Santa
Fe Weaving Gallery's Design with Heart Conference in 1996, and
re-connected in 1999, to work together on projects for the gallery.
The
Zawa collection is truly a collaborative give-and-take involving
Jill and Barbara, co-owners of the Santa Fe Weaving Gallery,
Alice Watterson, our associate who advises on details, Susan
Summa who asks for what she wants to wear, and whose design background
is a constant support, and Gwen Spencer, who brings a great knowledge
about couture finishing, and her own aesthetic which amplifies
our own. Our clients share our interest and "hunger" for
the "next great idea", and egg us on to pursue new
possibilities. Our website designer, Anne Geiger, has helped
us to shape our Zawa logo and graphic identity, and joined us
on
our trip to Japan in
May-June, 2004. Her impressions, photography and intimate connection
to our business has helped us to craft our Zawa look.
The last leg of our Japan journey in Summer 2004, after our clients
went back to the States, took us north of Tokyo, with the fun and
inspiring leadership of Takako. She generously introduced us to
her resources, knowing that we would come back loaded down with
textiles produced by her contacts. Because of her connections,
we saw silkworms in mulberry heaven, learned what is involved in
handreeling dupioni (Akagi) silks, met the kasuri-dyer for the
Kosugi Weaving House, along with one of their weavers, shared sake
and sea urchins (not Jill--still sea urchin-free) with Kosugi-san
and Ishida-san and their families, while we selected from among
several "hot off the loom" kimono rolls to turn into
who knows what.
Our story goes on, and hopefully will continue; we look forward
to returning many times to Japan, (and invite our colleagues and
collectors to join us), and to making new jackets, vests, coats,
tops, and other Artisan shapes for our collectors to collect. We
hope that you'll enjoy our adventure and be a part of it.
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